How to be a Music Industry Conference Ninja

Robert Witoschek — Mon, 26 Jul 2021 06:34:16 +0000

Montag, 6 September, 2021 - 14:00 bis 18:00

*** ONLINE WORKSHOP ***

Sprache:

Englisch

Preis:

20 €

Music conferences are some of the best ways to network and boost your project to the next level. Now that conferences are coming back to live events, how can you be best prepared to make the most out of your experience? It can be a marathon - but with the right preparation and planning, you can not only survive, but thrive, and have a great time while you are at it too. Join Allie Silver, self-proclaimed music conference nerd who has been organizing, speaking, attending and promoting showcases at conferences around the world for over 12 years, for some key tools, strategies and insider tips.

Content:
- conference preparation and follow up
- networking strategies
- how to apply and get the most out of a showcase
- how to set achievable goals and expectations for your conference experience
- tips and tricks of the trade to get the most out of your experience and have a great time too

Target Group:
Any artist or artist professional looking to attend music industry conferences.

Outcome:
After this workshop you will have the skills you need and how to best prepare to get the most out of any industry conferences you may want to attend.

Promo

Connections

Music Industry

conferences

Beginner

Hide Registration link:

ENGLISH WORKSHOP - MUSIC BUSINESS Basics

Robert Witoschek — Thu, 04 May 2017 13:39:54 +0000

Mittwoch, 12 Juli, 2017 - 14:00 bis Mittwoch, 19 Juli, 2017 - 18:00

Warschauer Str. 70a, 10243 Berlin

Sprache:

Englisch

You want to be professionally involved in the music business in any form, whether as an artist or on the business side? This is your call then. In this 2-part course you will learn the basics of everything that is important in the music business.

Who are the players involved?
What are their tasks and how do they work together?
What exactly makes a label, what a publisher, what a booking agency, etc.?
Which possibilities do I have as a musician to earn money with my music?
Is a classic record deal with a major label still the ultimate or are there even more attractive alternatives?
What rights do I have as an executive musician, lyricist and composer, and what do I have to do if I work with a record company or a publisher, for example?
And what does GEMA want from me all the time?
How does the digital side of the music business work?
Which tools can I use to promote, distribute or sell my music?
How do these tools work?

Dates:

July 12
July 19

2-6pm each

Workshop

Booking

Artist Development & Management

Label & Verlag

Networking

Promotion & Marketing

Recht & Lizenzierung

Soziale Absicherung

Music Business